Gutter Ballet is not a concept albumbut the final three songs "Mentally Yours", "Summer's Rain", "Thorazine Shuffle" are a conceptual suite dealing with a single character as revealed by the band in interviews.
The original title for the record was Temptation Revelationbut this was changed to Hounds of Zaroff which was a Steve Wacholz suggestion. As late as Maythe eventual title track of the album had not been written and the band was having doubts surrounding the album title. The title Gutter Ballet finally came from that of a play producer Paul O'Neill had written ten years earlier and which would later make-up the majority of the band's next work, Streets.
Jon's drumming skill was competent enough to perform on the track and he also provided the bass guitar duties for the track. On the original cassette and CD releases, "Thorazine Shuffle" was a bonus track. The former track became a staple of Headbangers Ball and as a result, both Jon Oliva and Chris Caffery were invited to join host Riki Rachtman for an interview in Many additional songs already written, before the decision of the change of style, were unused and subsequently published as bonus tracks, in the Sirens and The Dungeons Are Calling Silver reissues,  Shes In Love - Savatage - Gutter Ballet (CD some of them were also re-worked and published by Jon Oliva's Pain.
Oliva Shes In Love - Savatage - Gutter Ballet (CD Paul Silver. Note: Chris Caffery doesn't play on the album but he was credited with guitars and keyboards and is pictured in the album's booklet "both to prepare the fans for the line-up they'd see on tour and confirm his permanent member status". From Wikipedia, the free encyclopedia. Rovi Corporation. Retrieved May 12, Rock Hard in German. This album shows the combination of the power metal-style of past records with the more orchestral, symphonic approach of later records perfectly and if you really want to buy just one record by this metal legend, buy this!
Buy all!! But another great songs like the immortally wonderful Gutter Ballet, the beautiful mid- tempo When The Crowds are Gone whith the best Criss Oliva's guitar solo in my opinion, and with a great connection with their incoming marvellous ballad Believe With this record, started the true Savatage's legend!!!! Instrumentally, this is a superb album. Chriss' inventive work all too painfully displays just how good he was and that it's a shame he was never noticed until after his death. Lyrically, John offers up a mixed bag.
Songs like Of Rage and War, the anthemic title track, When the Crowds Are Gone, and Chriss' eerie Hounds are great, but the rest of the tracks with lyrics are standard power metal anthems that lead up to the chorus which usually consists of little more than the words in the song title as well as "Yeah!
John would pen better lyrics down the line, but he does a good job of slowly pulling the band out of their power metal roots and into symphonic territory. The off-kilter lyrics keep this from being a true classic, but fans of proto-prog metal Queensryche, Fates Warning, Death should start with either this album or its predecessor, or even the straight-forward rockin' debut Sirens. Stylistically "Gutter Ballet" marks a change in musical direction for Savatage.
Occasionally even to a point where you could label the music progressive. The title track is a relatively progressive track featuring piano, orchestral arrangements, and a musical style build up. The arrangement is clever, sophisticated, and powerful. The musicianship is on a high level on all posts. The rhythm section of drummer Steve Wacholz and bassist Johnny Lee Middleton are a tightly nit unit, delivering pounding organic beats, driving the music forward in a great energetic fashion.
Lead vocalist Jon Oliva takes his performance up a notch here compared to his vocals on the previous releases by the band and that says a lot since his performances on those past releases were very strong. His raw rusty voice is commanding and powerful, yet always melodic and sensitive, Shes In Love - Savatage - Gutter Ballet (CD.
Criss Oliva delivers one jaw-dropping moment after another throughout the album. His riffs are delivered with a rare bite and conviction, and his solos and licks are not only incredibly well played, but there is something special about his tone too, that not many guitarists are able to rival nor duplicate. You get the feeling that he bleeds notes. A perfect and tasteful sound for the material on the album.
Upon conclusion "Gutter Ballet" is an album which shows Savatage developing their sound, but there is still a good balance between the epic and sophisticated moments and the hard edged rocking parts, and therefore the more adventurous elements never take away from the power of the music, which in some cases can be the downfall of similar releases.
Ever since Jim Steinman started his decline towards the end of the '80s remember that most of compositions on Bat Out Of Hell II were composed long before the album's Shes In Love - Savatage - Gutter Ballet (CDSavatage became the next best thing during that period between late '80s and early '90s.
Jon Oliva came up with Shes In Love - Savatage - Gutter Ballet (CD of the best material of his life in that period and from what I can tell it all began with this release. I'm somewhat of a latecomer when it comes to Gutter Ballet since it actually was my forth and so far final Savatage-album purchase. I've heard the title track on many different occasions but hesitated strongly before purchasing the album.
After hearing it for the first time I just had to give into the temptation of hearing the rest. The album did impress me from early on even though most of these compositions are in a sort of transition phase between the two different eras of the band's history.
Savatage originally started off as a carbon copy of Judas Priest and judging from the early material I've heard they really had a long way to go in order to evolve their sound to the level they show on Gutter Ballet.
The first track, titled Of Rage And Waris a good example of Savatage's early repertoire although this time with a much higher production quality. From what I've heard about the album's title-track it happened to be written at last minute notice after that the band's drummer had already left the studio and Jon Oliva played the drums on the recording.
The final result has become one of the most recognized Savatage composition to date and it marked the change in direction for all the upcoming releases. Most of the material here is pretty solid but I still would like to point out When The Crowds Are Gone as my personal favorite.
The trilogy of songs at the end of the album would be my runner-up choices. I consider them inseparable since they are suppose to form the band's first conceptual suite and this type of storytelling will definitely get even better with the release of Streets.
Top reviews Most recent Top reviews. Top reviews from the United States. Translate all reviews to English. There was a problem filtering reviews right now. Please try again later. Verified Purchase. Paul Oneil injected life and stability into Savatage and thank the lord he did.
Hall of the Mountain King was evident of that from track one. A little tighter, more experimental and a huge foreshadow to what the band would find their true identity. An album full of everything from solid hair metal, to instrumentals, to ballads, this album stands out as obe of their best. Honorable mention, Summer Rain, the whole band sounds great overall.
Highly Highly recommended!!! One person found this helpful. Savatage was preparing to take the next major step in the evolution of their sound under the tutelage of producer Paul O'Neil in Progression was achieved on almost all levels in not only the keyboard sound but in Shes In Love - Savatage - Gutter Ballet (CD growth of Criss Oliva's classical guitar playing.
Featured as a support or middle level act in metal festivals in Europe, Savatage then returned to headline clubs in the US. The title track instantly became recognized as one of the key songs in the band's entire catalog.
Other favorites included "Hounds" which revisited the gothic atmosphere of earlier hits and "When the Crowds Are Gone" which became Savatage's most renowned ballad. The record seemed to balance the piano balladry with the metal madness of Savatage's most recognizable sound and often in the same song! You start with "Of Rage and War" a dynamic and tempo chaning rhythem which does not lack in bite, the title song "Gutter Ballet" a true masterpiece of musical genious, this one has it all, a well defined story told thru music, classic piano, metal power riffs, high energy vocals, you can listen to this song for hours and never tire of it.
This CD is a true classic in so many nuances and is a great collectors item. One of the more lyrically intelligent and talented bands of their genre. Two songs on the album stick out for me as exceptional. Gutter Ballet:a song about a society that praise itself as being progressive,when it is actually going to ruin. Great, Great album. Problem is, I never received it. My grandson enjoyed this cd. He said the condition of the cd was excellent. Played clear. De la misma forma, Altamente Recomendado.
Translate review to English. Loved this album back in the late 80s! Love Savatage, Period!!! See all reviews.
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